Category Archives: How to Draw Figures

Learn How to Draw Figures at a Life Class

The number one strategy for learning how to draw figures is to actually draw figures.  There really is no substitute for this.  Figure drawing is best learnt by drawing figures, in the same way that learning to drive a car is best served by actually driving a car.  Reading about drawing may help, as may talking to others about drawing, but none of this will make anywhere near as much difference as actually committing to paper your impression of a figure.

Just as it is no surprise that ‘practice makes perfect’, it should also be no surprise to learn that drawing figures in an optimum environment is better than drawing in less than perfect conditions. And just as learning to drive with an experienced instructor is preferable to going it solo, learning how to draw figures will be more effective if done with an experienced tutor.

Attending a life drawing class is almost certainly the best thing you can do.

In a life class conditions for practice are close to perfect.  You have space, light, an easel, somewhere to sit your drawing materials.  Everything is in reach in an environment set up for the job.  You also have access to a tutor who can direct your learning, introduce new techniques, and offer advice on you drawings  The tutor can help you to see some of the strengths in your work, and also some areas for improvement.

One other significant benefit of the life class is that it will have at least one model, a figure for you to draw.  This benefit is not one that should be dismissed lightly.  Have you ever tried to learn how to draw figures by asking a friend or spouse to sit for you?  If so, you may know that this is not an effective method.  They may not be very good at sitting still.  They may want to chat to you, which can be distracting.  They will almost certainly want to see the finished drawing which you may prefer not to show.  The life model by contrast is a professional who will adopt and keep poses suggested by the tutor.  The model will even take their clothes off so you can draw a real body, not a bunch of clothes with a head sticking out the top.

The combination of the right environment, an experienced tutor, and an experienced life model make your learning conditions ideal.  With all that taken care of, all you need to do is to draw.  Maybe try out a new technique for drawing.  Maybe try a new medium, or different paper.  All in a safe, non-distracting space.

How to draw figures – technique # 3 – Frame your drawing

How to draw figures – technique # 3 – Try putting a frame round your picture before you start drawing. Decide what you will draw and what you will leave out. The frame helps you to challenge the pose of the figure, and decide what is important to you to make a great drawing.

The frame allows you to focus on the part of the model's pose that you are most interested in capturing.

To help you do this you can prepare a ‘viewer’ out of a piece of cardboard with a rectangular hole cut out of it. Use the viewer to frame the figure: hold it close to your eye, then move it in, move it out, try landscape, try portrait. Decide on a frame that is going to look good. Once you have decided your approach to the picture, draw the frame on your paper, and draw your selected part of the figure within the frame.

This approach also provides an opportunity to create interesting negative space which can help you to compose your drawing, and help you to create a great result.

How to Draw Figures – technique # 2 – Geometric Shapes

It can be difficult when you are looking at a figure to decide where to start.  The body is a not a straightforward shape, and the figure’s pose can confuse things further.  Twists and turns, pointing and bending limbs all serve to complicate the shape of the body.

Continuous Line (or gesture) drawing is one method to help make the figure drawing less complex.  This method helps you to get the whole figure down on paper quickly, and to focus on the aspect of the whole figure, not smaller details.

Another method to help us see how to draw figures, and make figures less complex is to use geometric shapes to build a simple view of the figure.  This could become a foundation layer for a more detailed drawing, or you can use this approach for short poses to provide practise on capturing the figure.

How does this work?  An obvious start might be to use a sphere or oval for the head.  Just draw the shape, nothing more.  So, if you are using an oval, just draw the oval.  Don’t try to capture nuances of shape or the facial features, just use the shape to capture the overall shape and position of the head.

You might then consider using a cylinder to capture the shape and position of the neck or torso.  Again, just capture the overall shape and position.  Don’t worry about the kind of detail you put into other kinds of drawings, or might add to this drawing later.

You might use more cylinders for sections of arms and legs.  You might use smaller spheres for elbow and knee joints.  But don’t do this automatically.  Look at the figure, consider the pose and then decide which shape makes sense.  It might be a triangle for the shoulders, or the foot, or a square for the head.  You are trying to capture the figure in front of you – not what we consider a figure should look like.

Continue adding shapes to your figure until you have the whole thing.  Work quickly.  You should not be trying to draw your geometric shapes with trigonometrical accuracy.  Re-draw or overdraw if you like, but keep moving the same way you would with a continuous line drawing.  If you’re using this to block out the shapes for a more detailed drawing you will want to keep the lines light.

You can see in this image the geometric shapes that were used to capture this 1-minute pose.

You should end up with something that looks a little like one of those posable, wooden maquettes you can find in art shops.  Or it might look something like a robot.  But you should also be aiming to produce something that looks like the figure you are drawing.

You can use this technique to help you see how to draw hands too.  Do the same thing as with a figure: view the hand and decide which shapes you can use to build the hand.  You might use cylinders to represent sections of fingers.  Maybe spheres for the knuckles.  The back of the hand might be built with triangular panels.  The fleshy palm of the hand might best be represented by circles and ovals.

As with figures you should not focus on details.  Just capture the overall shape and position of each part of the hand.

Keep practising.  I found this technique very difficult at first, despite its seeming simplicity.  I was stuck in the habit of trying to produce a realistic drawing first off, and found the use of geometric shapes frustrating.  But stick with the technique, maybe using it for a few short poses next time you draw, and will start to see how useful it is to simplify that complex human figure.

How to draw figures – technique # 1 – continuous line drawing

Put your mark maker on the paper, start drawing, don’t take your marker off the page until you have finished the drawing.

This is a great technique for loosening up. It forces you to put lines where you don’t see lines – you have to get from one place on the paper to another. It forces you to draw faster than you might be used to – if you don’t draw quickly you are just holding your pencil against the paper.  In a life drawing class you would often be asked to do this type of drawing early in the class when you will generally draw a number of short poses of 1-2 minutes.

You are likely to complete a drawing that looks a bit scribbly, so the technique of drawing a continuous line almost forces you to give up on the notion that you are going to finish up with a masterpiece sketch that you will keep for ever.

This is all great because if you are not focussing on making the perfect mark on your paper, you might spend more time looking at your subject. Your drawing is likely to be fresh, and by going through this exercise you have quickly observed and dealt with the challenges of the figures’ pose.

You might even use this technique if your subject is posing for a longer time. You could take a minute or two completing a continuous line drawing, and use this to help you frame and decide your approach for the longer drawing.

As with any drawing you should not spend too much time on any one area of the drawing, but let your mark maker flow freely over all areas of the figure. If you focus on one area at a time your drawing may become unbalanced and poorly proportioned.  Continuous line is a great method to help you consider the whole figure rather than just a part of it.  Try to imagine that you may not have a full minute to complete the drawing and time might be called at any moment.  When you run out of time you want to have a representation of the whole figure, not just a hand or a head.

Continuous Line Drawing is also called ‘gesture’ drawing.  The aim is to capture what the figure is doing, to show the action of the figure on the page.  If the figure is relaxed then try to capture that relaxation in your drawing.  If the figure is tense try to capture that.  If the  figure leans, has their weight on one foot, lifts something, holds something, twists or bends, then try to capture that with your continuous line.

To help you understand the figure’s gesture you might try to feel it in your own body.  Imagine how the pose would feel if you were in it – or try putting yourself in the pose for a moment.  How does it feel?  Which muscles are you using?

Try it now. If you don’t have a figure to draw right now draw your desk lamp, or your garden, and make a note to definitely try this when you next have a figure to draw. Remember, keep that pencil on the paper until you have finished!

Drawing Technique

It can be difficult to know where to start learning how to draw figures.  Do you start with a sketch pad and pencil?  Maybe draw a rough outline?  Then start drawing the lines a bit more carefully? Once you have the outline right, maybe you will think about shading some areas?

That is a common approach, but it can be limiting to do the same thing every time. There is no right way, or one-size-fits-all way to draw, but we often approach our drawings in the same way. We use an approach that we have been taught in the past, or that has worked for us, or that we believe to the ‘right way’ to draw. This can mean that our drawings are unsatisfactory. They don’t represent what we see, or how we imagined our drawing would look. Or they can represent what we are trying to draw, but they are flat, and too similar to drawings we have done before. They don’t inspire.

Trying different approaches to drawing can help to loosen up your current habits and allow you to see your drawings in different ways. For one drawing you might try a continuous line, not lifting your mark-maker from the page until the drawing is complete. For the next you might focus on tone rather than line, using the edge of a piece of charcoal rather than the point of a pencil. You might draw quickly not slowly. You might think about framing your drawings in different ways, for example drawing only part of the figure. You might draw on larger sheets of paper, and really work to fill that paper, rather than cramping your work into a small sketch pad.

Working with new techniques can be difficult or uncomfortable and we may not always be happy with the results. But experimenting and challenging the way we work can make drawing more exciting, fresh, and enjoyable. Let’s face it – if we are not enjoying drawing, we are not likely to draw at all, and it is only with regular practise that we get better.

So, try something new. Remember that not every drawing has to be a permanent, framed masterpiece. Just try something, learn from it, throw it away. Keep trying, because every attempt is good practice and will help you on your way to learning more about how to draw figures.

How to draw figures

Do you want to know How to Draw Figures? Do you admire how artists capture the human form? Do you wonder how they do it?

We see people every day. We see so many people in so many different poses. Walking, talking, standing, sitting, moving. We communicate with those people, but we rarely draw them.

This blog aims to bring together techniques that help to explain how to draw figures – to help you draw people. There is no right or wrong way to draw people, so my aim is not to provide a magic formula that will make your figure drawings look great. My aim is to provide a set of techniques that you can try, that may help you understand how to draw figures, may broaden your thinking about drawing figures. Who knows, it might even help to make drawing figures more fun.

The first thing you should try is to use different techniques when drawing figures.  Trying different approaches to drawing can help to loosen up your current habits and allow you to see your drawings in different ways. For one drawing you might try a continuous line, not lifting your mark-maker from the page until the drawing is complete. For the next you might focus on tone rather than line, using the edge of a piece of charcoal rather than the point of a pencil. You might draw quickly not slowly. You might think about framing your drawings in different ways, for example drawing only part of the figure. You might draw on larger sheets of paper, and really work to fill that paper, rather than cramping your work into a small sketch pad.

Working with new techniques can be difficult or uncomfortable and we may not always be happy with the results. But experimenting and challenging the way we work can make drawing more exciting, fresh, and enjoyable. Let’s face it – if we are not enjoying drawing, we are not likely to draw at all, and it is only with regular practise that we get better.

So, try something new. Remember that not every drawing has to be a permanent, framed masterpiece. Just try something, learn from it, throw it away. Keep trying, because every attempt is good practice and will help you on your way to learning more about how to draw figures.